Botanic Garden

Take a step into the open world.

Graeme Hopper, Millenium Bug, 2000. Galvanised metal. Photo taken by Liu Qiao 

Graeme Hopper, Millenium Bug, 2000. Galvanised metal. Photo taken by Liu Qiao 

The Botanic Garden sits on the southern outskirts of Durham City, amongst the mature woodlands. Open to the public, it is a popular attraction site for visitors. It provides rich resources for academic research as well as educational school trips. This story takes you on a virtual trip to the garden, focusing on the sculptures exhibited here.

A map of the garden can be found at various sites when you visit the gardens.

A map of the garden can be found at various sites when you visit the gardens.

You may stop by and wonder at the seemingly random matrix of numbers exhibited here on the post, and that is the artist’s intention. Foxglove, also known as Scottish bells, is commonly seen in the botanic garden. The artist, Ian Hamilton-Finlay, decided to use abstract numbers to imitate the organic structure of the bells – take a look at each number: you will realise each of them forms a link shaped like the bells in bloom. Each number follows its own shape but is inevitably linked to other numbers, in the same way that the flowers need to follow the rules of the season. With its clear-cut outline and abstract numbers, the post makes a conspicuous contrast to the surrounding bush.

Ian Hamilton Finlay, Foxglove Post, 1996-1997. Oak. Photo taken by Liu Qiao

Ian Hamilton Finlay, Foxglove Post, 1996-1997. Oak. Photo taken by Liu Qiao

Ian Hamilton Finlay, Foxglove Post, 1996-1997. (Detail) Oak. Photo taken by Liu Qiao

Ian Hamilton Finlay, Foxglove Post, 1996-1997. (Detail) Oak. Photo taken by Liu Qiao

Hamilton-Finlay had originally hoped that the post could be placed in the midst of foxgloves, so that it could make a clearer image conveying the message that the formation of nature depends on a series of elements, each with its own indispensable significance. Despite the lack of foxgloves directly surrounding the post, you can still spot some just across the road, near Fungate.

Foxgloves taken by Liu Qiao

Foxgloves taken by Liu Qiao

Graeme Hopper, Fungate, 2019. Metal. Photo taken by Liu Qiao

Graeme Hopper, Fungate, 2019. Metal. Photo taken by Liu Qiao

Graeme Hopper
Fungate
2019

Fungate was built for educational as well as aesthetic purposes. In this area of the garden, fungi play a crucial role in keeping the balance between ecosystems. However, in the midst of trees and bushes, it is easy to overlook the existence of the various fungi that have been part of the garden ecosystem for many years. To remind visitors of the significance of fungi in nature, the garden commissioned artist Graeme Hopper for this project: a metal gate in the shape of a series of gigantic mushrooms. They blend in with the natural environment, marking a popular stop for the many school trips which the garden accommodates, as well as for casual visitors.

Ranjitsinh Gaekwad, Vessels of Life, 2009, Copper and Bronze. Photo taken by Liu Qiao

Ranjitsinh Gaekwad, Vessels of Life, 2009, Copper and Bronze. Photo taken by Liu Qiao

Ranjitsinh Gaekwad
Vessels of Life, 2009

Like many other sculptures in the garden, Vessels of Life is placed in an open space in the midst of tall trees, as is the wish of the artist Ranjitsinh Gaekwad.

As you step towards the area, you will notice the copper vessels covered in bronze life forms mounted on a brass pole, well-nestled on a water lotus base. The lotus symbol, in Indian traditions, represents the formation of life and incarnations. The pool of pebbles at the foot of the lotus base imitates flowing water coming out of the flower. Take a closer look, and you will notice the inscriptions of the word ‘water’ in different languages across all the vessels, accompanying the copper life forms either nestling or crawling on the edge of the vessels.

Should a visitor attempt to observe all the details of the life forms and the words on the vessels, they will need to walk around the post and look up to the top, inevitably staring into the sky. The movement itself makes it easy to experience of looking at the circle of life in awe.

 

Ranjitsinh Gaekwad, Vessels of Life, 2009, (Detail of the vessels: the word 'water' (पानी) in Hindi), Copper and Bronze. Photo taken by Liu Qiao

Ranjitsinh Gaekwad, Vessels of Life, 2009, (Detail of the vessels: the word 'water' (पानी) in Hindi), Copper and Bronze. Photo taken by Liu Qiao

Ranjitsinh Gaekwad, Vessels of Life, 2009, (Detail of the vessels: cowebs that grow on the sculpture, making it a literal 'vessel of life') Copper and Bronze. Photo taken by Liu Qiao

Ranjitsinh Gaekwad, Vessels of Life, 2009, (Detail of the vessels: cowebs that grow on the sculpture, making it a literal 'vessel of life') Copper and Bronze. Photo taken by Liu Qiao

Ranjitsinh Gaekwad, Vessels of Life, 2009, (Detail of the vessel: a locked water tap) Copper and Bronze. Photo taken by Liu Qiao

Ranjitsinh Gaekwad, Vessels of Life, 2009, (Detail of the vessel: a locked water tap) Copper and Bronze. Photo taken by Liu Qiao

Lockable taps are common in India, where the artist is from. They are usually used to prevent water pilferage.

Water creatures cover the bottom vessel, which is directly based on the lotus. As we move up the post, we get to see other life forms such as insects and reptiles.

Ranjitsinh Gaekwad, Vessels of Life, 2009, (Detail of the vessel: fish and starfish) Copper and Bronze. Photo taken by Liu Qiao

Ranjitsinh Gaekwad, Vessels of Life, 2009, (Detail of the vessel: fish and starfish) Copper and Bronze. Photo taken by Liu Qiao

Graeme Hopper, Millenium Bug, 2000. Galvanised metal. Photo taken by Liu Qiao

Graeme Hopper, Millenium Bug, 2000. Galvanised metal. Photo taken by Liu Qiao

Graeme Hopper
Millenium Bug
2000

Young visitors nowadays may not remember the 'Y2K' problem, also known as the 'Millennium Bug'. It refers to a series of events related to the formatting and storage of the data for dates in coding in and after the year 2000, the word ‘bug’ used here to represent glitches. Before the turn to the century, many programs used only two digits for four-digit year numbers, thus making the year 2000 problematically indistinguishable from 1900. In the years leading up to 2000, the Y2K scare snowballed into a series of debates and discussions including but not limited to the coding issues – lack of clarity in information regarding the potential dangers of the problem were met with apocalyptical myths and general curiosity about the new century, and a huge wave of people responded with stock up on food, water, and arms, as well as withdrawal of larges sums of money from the banks.

Graeme Hopper, Millenium Bug, 2000. Galvanised metal. Photo taken by Liu Qiao

Graeme Hopper, Millenium Bug, 2000. Galvanised metal. Photo taken by Liu Qiao

Graeme Hopper, Millenium Bug, 2000. Galvanised metal. Photo taken by Liu Qiao

Graeme Hopper, Millenium Bug, 2000. Galvanised metal. Photo taken by Liu Qiao

Graeme Hopper, tired of the Y2K problem and the anxiety that its relevant discussions exert, decided to create a pair of galvanised Millennium Bugs to address his attitude on the issue. He made a small biological mistake in the designing phase and gave each of them eight legs instead, making them more like arachnids rather than insects. Nonetheless, the pair stand between a circle of trees as a huge, noticeable landmark to any visitor who sets foot in the garden. After years of exhibition, the botanic garden decided to purchase these Bugs for permanent show and even asked the artist to make children for the pair: if you turn to your left while facing the Bugs, you will notice their offspring hanging in the tree with metal cocoons.

Peter Sales, Herons ("Harry and Hermione"), 2000. (Detail of Harry) Metal. Photo taken by Liu Qiao

Peter Sales, Herons ("Harry and Hermione"), 2000. (Detail of Harry) Metal. Photo taken by Liu Qiao

Peter Sales
Herons ("Harry and Hermione")
2000

Meet Harry and Hermione, thus named, reportedly, because the artist was a Harry Potter fan. Hermione is hidden away in a bush near a pond, while Harry is standing in the pond facing the entrance. These herons are made of metal, life-sized, another example of how the sculptures in the garden make an organic addition to the natural environment. They were donated to the Garden by Sir Kenneth and Lady Calman, a gift they had purchased for each other. Sir Kenneth was Vice-Chancellor and Warden of Durham University from 1998 to 2007. Under his leadership, the University went through a series of developments including the reorganisation of the University, as well as the birth and development of a long term strategy. He also played an important role in strengthening international links with countries such as China, Japan, Jordan, New Zealand, Australia, the United States, and across Europe.

Peter Sales, Herons ("Harry and Hermione"), 2000. (Details of Hermione) Metal. Photo taken by Liu Qiao

Peter Sales, Herons ("Harry and Hermione"), 2000. (Details of Hermione) Metal. Photo taken by Liu Qiao

It takes an observant eye to discover Hermione, as she sits quietly in the bush at the corner of a small pond amongst trees.

There is, of course, far more to see and discover in the Botanic Garden. Each sculpture has its own unique history and background story, coming from different areas of the world; and yet, they all become part of the natural woodland environment, an artificial but organic addition to their surroundings. They remind us of how everything in the Garden is alive and an integral part of the ecosystem, from the smallest fungus to the tallest tree. They also mark the connection that human involvement has made with the beautiful woodlands environment. Take a step into the open world as summer approaches, and explore the full experience of the Garden on a sunny day!

List of Artworks & Images used

1.     Graeme Hopper, Millenium Bug, 2000. Galvanised metal. Photo taken by Liu Qiao 

2.     A map of the garden can be found at various sites when you visit the gardens.

3.     Ian Hamilton Finlay, Foxglove Post, 1996-1997. Oak. Photo taken by Liu Qiao

4.     Ian Hamilton Finlay, Foxglove Post, 1996-1997. (Detail) Oak. Photo taken by Liu Qiao

5.     Foxgloves taken by Liu Qiao

6.     Graeme Hopper, Fungate, 2019. Metal. Photo taken by Liu Qiao

7.     Ranjitsinh Gaekwad, Vessels of Life, 2009, Copper and Bronze. Photo taken by Liu Qiao

8.     Ranjitsinh Gaekwad, Vessels of Life, 2009, (Detail of the vessels: the word 'water' (पानी) in Hindi), Copper and Bronze. Photo taken by Liu Qiao

9.     Ranjitsinh Gaekwad, Vessels of Life, 2009, (Detail of the vessels: cowebs that grow on the sculpture, making it a literal 'vessel of life') Copper and Bronze. Photo taken by Liu Qiao

10.  Ranjitsinh Gaekwad, Vessels of Life, 2009, (Detail of the vessel: a locked water tap) Copper and Bronze. Photo taken by Liu Qiao

11.  Ranjitsinh Gaekwad, Vessels of Life, 2009, (Detail of the vessel: fish and starfish) Copper and Bronze. Photo taken by Liu Qiao

12.  Graeme Hopper, Millenium Bug, 2000. Galvanised metal. Photo taken by Liu Qiao

13.  Graeme Hopper, Millenium Bug, 2000. Galvanised metal. Photo taken by Liu Qiao

14.  Graeme Hopper, Millenium Bug, 2000. Galvanised metal. Photo taken by Liu Qiao

15.  Peter Sales, Herons ("Harry and Hermione"), 2000. (Detail of Harry) Metal. Photo taken by Liu Qiao

16.  Peter Sales, Herons ("Harry and Hermione"), 2000. (Details of Hermione) Metal. Photo taken by Liu Qiao